The Two Culture
C.P. Snow
The Two Cultures is the title of the first part of an influential 1959 Rede Lecture by British scientist and novelist C. P. Snow. Its thesis was that “the intellectual life of the whole of western society” was split into the titular two cultures — namely the sciences and the humanities — and that this was a major hindrance to solving the world’s problems.
C .P. Snow says he had been thinking of a problem since last three years and anyone who had some experiences like him would think similarly. Snow is talking about the conflict between science and literature .C. P. Snow was a physicist who is known for his literary contributions.
Snow was a scientist at a time of major scientific activity. He was also a writer who had many friends who belonged to the literary circle. The close association with scientists and literary figures gave him a realization that both of them had their own culture. But C. P. Snow is of the opinion that scientist and humanists have comparable intelligence, identical in race, similar social origins, earn comparable wages but one hates the other. This conflict between science and humanities is not the problem of England alone but of the West. To show the hostility between science and humanities Snow, quotes a story of A.L. Smith (a literary figure) when he came to Cambridge to dine, could not understand what his fellow mates were talking and the Vice-Master explained that they were mathematicians whom the humanists did not make friends with.
Snow observes that the intellectual life of the western society is divided into two polar groups -one literary intellectuals and the other group-scientists . Snow remembers what once G.H. Hardy remarked that the word intellectual is used to refer only literary intellectuals and it does not include scientists. The hostility between the two groups has increased and the youth particularly fails to communicate and both have distorted image of the other.
Non–scientists believe that scientists are less optimistic, unaware of man’s condition. They think that scientists are brash and boastful. Literary intellectuals follow what T.S. Eliot, a typical figure in English literature says about reviving verse-drama which is of little hope. Eliot will be contented if his followers could prepare the ground for a new Kyd or Greene. Scientists believe that literary intellectuals talk in a restricted and constrained way. On the other hand scientists believe that literary intellectuals lack foresight, they are unconcerned about fellow beings, anti-intellectual and that they restrict literature to existentialism (a condition, or school of literature which believes that life is meaningless). Snow is of the opinion that it is hard for the literary intellectuals to understand intellectually and gives an example:
‘this is the way the world ends, not with a bang but a whimper’ (the Hollow Man- T.S. Eliot)
Scientists believe that literature can be made by anyone who has a little ability to chat. Snow agrees that scientists are optimistic. Scientists work as a group and the group energy is carried on to everyone. They are aware of poverty and other human miseries and are determined to work for it. But literary intellectuals do not work for fellow beings and are hated by scientists.
The non-scientists believe that the scientists are shallowly optimistic and their optimism is based on a lack of understanding of man’s real condition. This can be easily disproved. The scientists are aware of the tragic condition of the individual. Each of us lives alone and dies alone. Thers is no way out of this solitariness of human life. But the scientist sees no reason why the social condition of a man should also be tragic. Most of our fellow human beings for instance are underfed and consequently meet with premature death. The scientists believe that something can be done about this and therein lies his optimism. But this very optimism of the scientist has made him look down upon the attitude of other culture. He believes that literary intellectuals are inclined to sit back and let things go as they are.
Some scientists have criticized the social and political attitudes of literary figures. An eminent scientist once asked Snow why most writers take on social opinions which would have been considered uncivilized even at the time of Plantagenets. In his view Yeats, Pound, Wyndham Lewis and nine out of ten of those who ruled the literary world were not only politically silly but also politically wicked. The influences of such men were responsible for World War II. Snow was aware that Yeats was a magnanimous character besides being a great poet. But he could not deny the fact that there is a connection which the writers were unable to see between the early twentieth century art and expressions and anti-social feeling. This induced some of the writers to turn their backs on the art and tried to cut out a new or different way for them. Snow argues that this is partially true and this has resulted in people losing faith in literature. Some sociologists argue that they are not to be grouped with humanists as some disciplines of humanities have scientific approach.
Snow says that the number 2 is a dangerous number. Any attempt to divide anything into two always gives rise to suspicion. The author points out that scientist need not and donot completely understand each other, but there are common attitudes, common standards and patterns of behavior, common approaches and assumptions which go wide and deep cutting across the mental patterns like religion or politics or class. The division of knowledge into science and humanities is faulty. Snow argues that a botanist having little knowledge of physics is termed as a scientist but a humanist does not belong to the group. Though scientists and humanists see them as different groups there are so many common features for them. But the distinctions between science and humanities have become so large that scientists have no taste for literature and literary figures do not even learn the basic science. This polarization has created intolerance between the two.
This polarization is a practical, intellectual and creative loss to society. During the war C.P. Snow got an opportunity to interview about 25% the scientists in Britain. The extent of their reading shocked him. Some they seem to regard Dickens as an incomprehensible writer like R.M. Rilke. One of them preferred to use his books as tools! They have nothing to do with books. They have their own rigorous and admirable culture.
As for the literary intellectuals they are equally impoverished. They look upon the traditional culture as the whole of “culture” and are contented with their ignorance of the marvels of science. They despise the scientists who have never had glimpse of the beauty of English literature. It does not occur to them that their own ignorance is even more startling. Not one in ten of them can understand what is meant by mass or acceleration or can describe second law thermodynamics.
The gulf between two cultures therefore cannot be bridged. The clashing point of two cultures often provides a fertile soil for creative production and such chances are lost on account of this polarization. Twentieth century science can find no place in twentieth century art. Poets make vain attempt to use scientific expression and thus we find “polarized light” used for a remarkable kind of light. Unless science becomes part and parcel of our mental experience we cannot say that it is of any good to art.
In England this cultural division is caused mainly by their educational specialization. But in spite of this division Lord Salisbury, the prime minister had his own laboratory. Arthur Balfour and John Anderson are other such professional non-scientists who took a keen interest in science. Snow points out that in England school education is too specialized .This will increase the conflict between science and humanities. The U.S.S.R has detected problems in specialized school education and has changed their education system. Snow wants a change in the England schooling system which is specialized educations that distinguishes science from humanities and places them in opposite poles.